Newsletter News

Lisa Holden: A More Complex Feminist Path, Exploring Emotion, Identity and Vulnerability

In the late 1990s and early 2000s, I made several visits to the Netherlands. I had good reason to. In addition to new museums opening up--Huis Marseilles and Foam in…

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Featured Exhibit

20th-Century Mexico in Photographs

By Matt Damsker

More than anything, Mexico is its people--stewards and survivors of a harsh, sun-raked land who energize their desert with unmistakeable culture and character. The majority…

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Collecting Resources

CONTEMPORARY PHOTOGRAPHY: TRUTH & THE BURDEN OF REALITY

There has been a tremendous amount of discussion in the popular press lately about photography's relationship with reality.   The recent discovery that a Lebanese freelance photographer with more than a decade…

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“I Photo Central is attractive and easy to navigate, with information for everyone, from curators to collectors, to those wanting to see fine examples from the history of photography. I peruse it regularly and recommend it to colleagues and students. At a glance, it gives a condensed education into the medium's rich history and how photographs are valued and exchanged in our present market.”

Carol McCusker

Museum Curator

I Photo Central provides thousands of web pages for the photography collector, curator and historian. This site includes articles on collecting issues (such as connoisseurship and print values; insurance and risk management; appraisals; buying and selling images; developing a photography collecting library; framing/matting and preserving your collection; conservation, etc.). The largest for-sale fine art photography gallery on the web is databased here and is easily accessed through an extensive on-site search engine.

275 issues of the popular E-Photo Newsletter are also archived here and are also searchable; and there is a major International Photography Calendar of Events section.

An additional Special Exhibits section focuses on specific topics, photography processes (such as autochromes, daguerreotypes, stereo views and oratones), contemporary photography and individual photographers.

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