Newsletter News
Lisa Holden: A More Complex Feminist Path, Exploring Emotion, Identity and Vulnerability
In the late 1990s and early 2000s, I made several visits to the Netherlands. I had good reason to. In addition to new museums opening up--Huis Marseilles and Foam in…
Read MoreFeatured Exhibit
Thomas John Shillea: The Nude
Thomas Shillea received a Master of Fine Arts degree in Photography from the Rochester Institute of Technology.
During his graduate studies at RIT from 1977-1980, he had an opportunity to learn…
Read MoreCollecting Resources
Contemporary Photography: Truth and the Burden of Reality
There has been a tremendous amount of discussion in the popular press lately about photography's relationship with reality. The recent discovery that a Lebanese freelance photographer with more than a decade…
Read More“I Photo Central is the best resource available on the photography market. It freely shares insights and experiences in the pursuit of quality and rare photography. Beyond obituaries on photographers and people in the photo world and candid opinions on market trends, there are also reviews of new photo shows and publications. A labor of love enjoyed openly (and at times clandestinely) by all in the Photo World.”
Private Collector
I Photo Central provides thousands of web pages for the photography collector, curator and historian. This site includes articles on collecting issues (such as connoisseurship and print values; insurance and risk management; appraisals; buying and selling images; developing a photography collecting library; framing/matting and preserving your collection; conservation, etc.). The largest for-sale fine art photography gallery on the web is databased here and is easily accessed through an extensive on-site search engine.
275 issues of the popular E-Photo Newsletter are also archived here and are also searchable; and there is a major International Photography Calendar of Events section.
An additional Special Exhibits section focuses on specific topics, photography processes (such as autochromes, daguerreotypes, stereo views and oratones), contemporary photography and individual photographers.
